Bidet
French furniture maker des Rosiers created the first bidet around 1710 for aristocratic hygiene when full bathing was considered medically dangerous.
The bidet emerged around 1710 from the convergence of French aristocratic hygiene culture, furniture-making craftsmanship, and a period when full-body bathing was considered medically dangerous. This intersection of beliefs and capabilities created the adjacent possible for a specialized washing fixture that would become synonymous with Continental European bathroom culture.
Prevailing medical theory in the seventeenth and early eighteenth centuries held that water was poisonous, transmitting diseases through the skin's pores. Louis XIV, the Sun King, reportedly bathed only twice in his entire life. Yet the French aristocracy desired cleanliness, particularly of what contemporary sources delicately termed "the delicate parts of the body." This created a specific niche: localized washing without full immersion.
The bidet is widely attributed to Christophe des Rosiers, furniture maker to the French Royal Family, who installed the first example in the royal palace around 1710. The device was not a plumbing fixture but a piece of furniture—an ornate wooden frame holding a porcelain or metal basin. Users would straddle it as they would a small horse, hence the name: "bidet" is French for pony.
The adjacent possible for this invention required sophisticated furniture-making traditions. French cabinetmakers had developed techniques for combining different materials—wood, metal, ceramics—into functional furniture. The ceramic industry could produce basins of appropriate size and shape. Metalworkers contributed hardware and fittings. Des Rosiers combined these capabilities to create an entirely new furniture category.
The social context shaped both design and adoption. Because the bidet served functions associated with intimacy and sexuality, it occupied ambiguous cultural territory. The fixture appeared in aristocratic bedrooms alongside the chamber pot, a placement that reinforced its private nature. Many surviving eighteenth-century bidets feature elaborate decorations—wood carvings, gold accents, fine ceramic basins—marking them as luxury objects displaying wealth and refinement.
The earliest written reference to the bidet appears in 1710, with Italian documentation following in 1726. By mid-century, the device had spread throughout European aristocracy. The design evolved: some incorporated foot-pedal mechanisms to raise and lower water basins; others featured heated water reservoirs. Napoleon Bonaparte's silver bidet, which he carried on military campaigns and bequeathed to his son, demonstrates both the fixture's importance to users and its capacity for technological refinement—silver's antimicrobial properties kept the device sanitary in field conditions.
The geographical pattern of bidet adoption reveals persistent cultural differences. France, Italy, Portugal, and Spain embraced the fixture; Britain and its colonies largely rejected it. This divergence, established in the eighteenth century, persists today. The reasons remain debated: some historians cite Anglo-Saxon associations between bidets and sexuality or prostitution; others point to different traditions regarding personal hygiene.
The bidet's transformation from furniture to plumbing fixture occurred in the nineteenth century as indoor plumbing became widespread. The standalone bidet, connected to water supply and drain, replaced the filled basin. The twentieth century brought further evolution: Japan's Toto company introduced the electronic bidet toilet seat in 1980, combining toilet and bidet functions with heated water, air drying, and precise controls.
By 2026, bidets occupy vastly different positions across cultures. Southern European and Japanese bathrooms consider them essential; American bathrooms rarely include them. The COVID-19 pandemic briefly increased interest as toilet paper shortages made alternative hygiene methods attractive. Environmental advocates note that bidets reduce paper consumption. Yet the cultural patterns established when des Rosiers installed that first straddling basin for French royalty largely persist three centuries later.
What Had To Exist First
Required Knowledge
- furniture-making
- ceramics
- metalworking
Enabling Materials
- porcelain
- carved-wood
- metalwork
Biological Patterns
Mechanisms that explain how this invention emerged and spread: